The selection of 14 paintings dated various years but mainly of the 20th century, including one giclée copy of the painting 'Looking Inside', the original of which will be on sale too. Some of the paintings offered at the sale are framed. The frames were chosen by the artist herself and are either hand-made or sourced out at the antique shops in New York and Los Angeles.
Price list for the 14 paintings on sale.
During the sale there will be other paintings on display by the same artist. Visitors are welcome to view and admire them and, if they fall in love with one or two, then they can negotiate the price with the artist.
Price list for the paintings on display - TBC.
Some refreshments such as juice, water, and wine will be offered to visitors.
Opening times:
23 February 2019 - 11:00am to 6pm
24 February 2019 - 11:00am to 6pm
More details on www.anyaslonimstudios.com

Cuatro Medios Sobre Papel. A show where paper is the connecting link of participating artists: Carlos Aquilino, Susana Gámez, Alberto Herencia y José Luis Rayos at Espacio CRUZ BAJO


IAF EXHIBITION 2018
SIGN UP HERE TODAY!
Video from IAF / Chelsea, NY / 2017




PAINTING PLUS…
Curated by Virginia Fabbri Butera, PhD, Director
Therese A. Maloney Art Gallery
Annunciation Center, College of Saint Elizabeth
January 23 – April 8, 2018
Opening Reception
Wednesday, January 24, 2018, 4:30 – 8:00 pm
Artists: Pasquale Cuppari, Paul Genader, Joseph Losavio, Ibou Ndoye, Michal Ozeri & Gail Winbury
2 Convent Road
Morristown, NJ 07960
Hours: Tue, Wed, Thurs, Sun, 2 -6 pm
You are cordially invited to attend the
International Art Festival
ANNUAL ART EXHIBITION
of 60 international artists
from 18 countries around the world
Please join us for the
champaign opening reception with the artists
on Thursday, November 2nd, 2017 6-9PM
in the spacious Highline Loft Gallery

Stay tuned for the launch of the IAF World Art Yearbook 2017

LIGHT YEARS AWAY
SATURDAY, JUNE 24 – FRIDAY, JULY 21, 2017
OPENING RECEPTION: SATURDAY, JUNE 24 – 7 TO 10PM
Index Art Center is pleased to present “Light Years Away,” a group exhibition of artwork informed by celestial mapping including the themes of star navigation, star cartography, scale of the Universe, orbits of celestial bodies, the search for habitable planets and/or extraterrestrial life, time dilation, and other matters addressing the exploration of our universe via charts, maps, diagrams, and other visual documentation meant to interpret our understanding of the geography of space in the broadest interpretation of this subject matter. Curated by Wavelength, a collaborative project by Gianluca Bianchino and Jeanne Brasile, their curatorial model considers phenomenological art informed by scientific principles. They are interested in interpreting art as a metaphysical space to discuss ideas. The exhibition brings together multi-media installations, sculpture, drawing and paintings are sympathetic to their curatorial philosophy. Featured artists include Pasquale Cuppari, Dahlia Elsayed, Amber Heaton, Heejung Kim, Heather Merckle, Julia Oldham, Really Large Numbers and Chad Stayrook.
“Beyond creating imagery, the works are unified through the artists’ desire to visualize cosmological phenomena, depict quasi-diagrammatical explanations of scientific data, or present complex ideas in an easily understood format,” noted Wavelength’s curatorial team. Chad Stayrook’s Final Frontier playfully “explains” the making of a constellation, while Amber Heaton charts the natural light and movement of the sun and the moon for a year in her installation and Heejung Kim explores the spiritual aspects of the night sky. Viewers will be situated in a series of conversations about stellar wonders in an immersive environment.
Index Side Gallery:
Amanda Thackray: 'PORIFERA'
https://www.facebook.com/events/205006560018957/
Index Art Center was established in May 2009 with a mission to help strengthen and revitalize Newark’s emerging art scene. They wish to create an environment where the local community and artists of all media can come together and take part in a unique dialogue, one which affirms Newark as a center for contemporary art. Index Art Center is located at 237 Washington Street, Newark, New Jersey near the corner of Market Street. It is easily accessible by car, The PATH and NJ Transit. Hours are Thursdays 6 to 9pm, Fridays and Saturdays 1 – 4pm and by appointment. Admission is free and open to the public.

Join us for the opening reception of Surfaces! Featuring works by Pasquale Cuppari and Wayne Charles Roth.
SURFACES:
Seeing differences allows us to learn. Exploring differences shows us how to discover and experience more of ourselves and others. Two artistic voices expressed on contrasting surfaces. You can see differences and similarities. You can expand that awareness and share it with others.
Artist talk from 5:00 - 6:00 pm





To quote the poet Phillip Ward in the original text written for this exhibition, "Each painting is like a transcendent portrait into a parallel reality where the subjects are reminiscent of wingles angels as seen under a gentle lens of an ethereal microscope..."

The event is curated by Paolo Levi and Sandro Serradifalco, with the collaboration of professional figures in the field of art. Four works by Carlos Aquilino will be shown at the Triennale.
http://www.latriennale.it/it/artisti/artisti-triennale/item/aquilino-carlos.html

PointB is proud to announce the premiere of its’ Virtual Exhibition Space.
The project will be launched simultaneously on pointb.org and at The Last Hurray Closing / Opening Party at PointB’s physical home for the last 20 years, 71 North 7th Street, Williamsburg Brooklyn. With the building due for demolition to make way for condos in January 2016, this will be the last opportunity to come and celebrate our past, as well as to engage with plans for our future.
“As we use this opportunity to plan for an even more internationally networked model for PointB”, says PointB founder, Mark Parrish. “The Virtual Exhibition Space is our way to preserve the memory of the actual space that will shortly be lost, as we work towards our long-term dream of connecting the greater global art, design and technology communities to a network of worklodges all over the world. Exhibitions will showcase the work of our creative global ‘worktraveler’ community, inside the architectural space with which they became so creatively connected, now realized in virtual form.” PointB recently announced that plans are in the works to establish a new worklodge in Lisbon, Portugal, and plans are afoot to continue to develop new locations in and around New York, and in multiple cities across the world. Parrish adds: “Until 2015, our Brooklyn location was a little bit like a secret club behind a blank façade: not so well known to many New Yorkers but known to artists all over the world, the doors hadn’t been open to the public because until this year, the studios were not designed to show work, but to make it.”
For the launch party, PointB has developed three virtual exhibitions with the themes: Discovery, Network, Transcendence, which will run in thirty-minute increments throughout the evening on the walls at PointB Worklodge Brooklyn, playing with the ideas that it’s now possible to open three exhibitions in the one space over one evening. The shows will continue to exist online forever. “These thematic exhibitions are intended to both document work developed by PointB’s international community of artists while simultaneously providing a peer-to-peer platform to sustain this community into the future, by promoting the exchange of creative ideas, as has happened at PointB throughout its history.” says Amanda McDonald Crowley, curatorial advisor on the project. “It is the first step towards developing a dynamic platform of future online exhibitions: as PointB also develops new physical locations, it provides a way to showcase new works and to keep conversations alive.”
On December 19 at 6pm, PointB will continue its long tradition of celebrating the holiday season with the 20th Annual
Tree-trimming and ornament-making party over food and wine. In addition to showcasing the Virtual Exhibition Space (online and on the walls at PointB Brooklyn), the evening will include the release of the PointB Documentary and Q&A with filmmaker Sarah Tricker, virtual walking tours on Google Maps, music and dancing!

September 4 -28th, 2015
Carlos Aquilino work Drawing Five is part of the 365@Stour Space exhibition to celebrate Postcardwall, a Project by Sophie Hill, reaching 365 postcards ‘on the wall’ one for every day of the year. Aquilino’s work correspond to one hundred and seventy four. You can see it at: http://postcardwall.wordpress.com/2010/06/25/one-hundred-and-seventy-four/

September 2015
A group exhibition to celebrate Small Works and promote art collecting on the gallery Arte Mayor 44. Palencia. When you buy your first art work you become an art collector. A Project curated by Marietta Negueruela.



Click to Register for our next event
Anya Rubin: About My Art and Me
Recently we followed up with one of our winners Anya Rubin to see what she is up to.
Check out Anya Rubin’s work http://www.anyarubin.com/ and get inspired!
We also asked Anya to reflect on the 2013 Art Competition. Here is what she shared with us.
ANYA RUBIN: I was born in St. Petersburg, Russia. When I was six years old my mother and I immigrated to Israel leaving behind all our family. Having spent two years in Israel we then moved to Germany, and after a year’s stay there we arrived in the US. Going through such extensive immigration and three languages left a huge impression on me. As a fellow immigrant once said, you lose more than half of your personality through this process.
I learned to understand different cultures, rules, people and languages. As I look back at that time I realize immigration had taught me how to use my senses. Those indescribable, intuitive feelings; a way of looking not with your eyes. Although I believe I was an artist from a young age, I didn’t start painting until after the birth of my triplets. I am a self-taught artist.
My goal is to explore the human condition through paint and technology. I reflect upon the social, political, and spiritual conditions of contemporary culture as it is mediated by today’s fast-paced technology where information about the world is available at a moment’s notice. Working in paint and digital rendering, I try to create an expressionist record of this current zeitgeist, using figures, historical references, and fragments of everyday life and through them I try to reveal what could be called the collective consciousness of contemporary society. For me the human spirit is the key to making sense of society’s fractured world and noting that in reality everything is interconnected.
I have been showing my art for the past 11 years. It has been a grueling road and a lot of the time a lonely one. Not only do artists need to create and consistently work on their skills, but in today’s market they also have to promote themselves. I find that while artists are living it is not only their art that is scrutinized but also their persona. This is a road one doesn’t choose -- it chooses you!
As an artist I try to find as many quality venues as possible to show my work. I enjoy the idea of a competition because then the work is chosen out of many submitted works and that says something about the work selected. I won the International Art Competition and was then invited to participate in The Art Festival. The event was well organized and the large space was overflowing with people. received a write-up in Fine Art Magazine on pp 14-15 (http://issuu.com/fineartmagazine/docs/winter_2013/1?e=1208886/5891660) , as well as receiving a lot of social media and on-line promotion. I met a wonderful array of artists and art lovers. I was able to invite my own collectors as well, who in return had the chance to see my latest work. I would encourage emerging and mid-career artists to participate in the Festival because it is a great way to have your work introduced to many different people from varied backgrounds. My participation in the Festival was a wonderful experience because there were many people seeing my work and I was able to meet people from the press as well as artists from different countries. After the competition I was invited to show at Museum of Russian Art which was a great honor.
Currently I have an opening at Alberto Liner Gallery in Miami (http://myemail.constantcontact.com/APPRAISAL---ANYA-RUBIN---FEBRUARY-15TH---28TH.html?soid=1104248386839&aid=kzjy1Y7qYBU)
I am continuing with my work exploring the human condition through technology and paint.
Click to Register for our next event

Cranes, Peach Tree, and Chinese Roses

After Shen Quan
Artist: After Shen Quan (Chinese, 1682–after 1762)
Period: Qing dynasty (1644–1911)
Date: early 18th century
Culture: China
Medium: Hanging scroll; ink and color on silk
Dimensions: Image: 78 1/4 x 39 3/4 in. (198.8 x 101 cm)
Overall with mounting: 97 3/4 x 48 1/8 in. (248.3 x 122.2 cm)
Overall with knobs: 97 3/4 x 51 1/8 in. (248.3 x 129.9 cm)
Classification: Paintings
Credit Line: The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Accession Number: 1975.268.81
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

Sir Edward Burne-Jones
Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham)
Date: 1868–77
Medium: Oil on canvas
Dimensions: 45 x 61 3/8 in. (114.3 x 155.9 cm)
Classification: Paintings
Credit Line: The Alfred N. Punnett Endowment Fund, 1947
Accession Number: 47.26
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)

After Sir John Everett Millais
Artist: After Sir John Everett Millais (British, Southampton 1829–1896 London)
Engraver: Engraved and printed by Dalziel Brothers (British, active 1839–1893)
Date: 1864
Medium: Wood engraving; proof on India paper
Dimensions: Image: 5 3/8 × 4 3/16 in. (13.7 × 10.7 cm)
Sheet: 7 5/16 × 6 3/16 in. (18.6 × 15.7 cm)
Classification: Prints
Credit Line: Rogers Fund, 1921
Accession Number: 21.68.4(11)
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

Frederic Edwin Church
Artist: Frederic Edwin Church (American, Hartford, Connecticut 1826–1900 New York)
Date: 1871
Medium: Oil on canvas
Dimensions: 44 1/2 x 72 5/8 in. (113 x 184.5 cm)
Classification: Paintings
Credit Line: Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914
Accession Number: 15.30.67
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

Samuel Joseph Brown, Jr.
Artist: Samuel Joseph Brown, Jr. (American, 1907–1994)
Date: ca. 1941
Medium: Watercolor, charcoal, and graphite on paper
Dimensions: H. 20 1/4, W. 15 3/8 in.
(51.4 x 39.1 cm)
Classification: Drawings
Credit Line: Gift of Pennsylvania W. P. A., 1943
Accession Number: 43.46.4
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

Designed by Louis Comfort Tiffany
Designer: Designed by Louis Comfort Tiffany (American, New York 1848–1933 New York)
Maker: Tiffany Studios (1902–32)
Date: ca. 1908
Geography: Made in New York, New York, United States
Culture: American
Medium: Leaded Favrile glass
Dimensions: 60 1/4 x 42 in. (153 x 106.7 cm)
Classification: Glass
Credit Line: Anonymous Gift, in memory of Mr. and Mrs. A. B. Frank, 1981
Accession Number: 1981.159
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

Thomas Moran
Artist: Thomas Moran (American (born England), Bolton, Lancashire 1837–1926 Santa Barbara, California)
Date: 1897
Medium: Oil on canvas
Dimensions: 30 x 45 in. (76.2 x 114.3 cm)
Classification: Paintings
Credit Line: Bequest of Moses Tanenbaum, 1937
Accession Number: 39.47.2
Information about hundreds of thousands of works of art is available in The Metropolitan Museum of Art's Collection Database.
Photograph Credits | Terms and Conditions | Privacy Policy
© 2000–2018 The Metropolitan Museum of Art. All rights reserved.

Long Term - Rodin: The Cantor Gift to the Brooklyn Museum

Long Term - Decorative Arts Galleries and Period Rooms

Long Term - Small Wonders from the American Collections